胡鈞荃 CHING CHUAN HU

Uncanny Field 2017

胡鈞荃，異域，靜態影像，2017 © 藝術家
HU CHING-CHUAN, Uncanny Field, 2017 © THE ARTIST.
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在多向度的網路時代下，關係、時空與定位交織出許多竄流層面，時間與距離的限制被消解，虛擬和現實的邊界逐漸模糊，個人意識在資訊交織的網絡中延展，卻同時被分割重構，並越來越棲居於其中。有時，我凝視著現實中的人，他們逐漸模糊、碎裂，直至僅剩軀殼般的存在。

製作前期，我親自前往與我長期透過網路維繫情感的親友家中，運用3D掃描紀錄他們的日常生活空間，透過鏡頭的任意移位，刻意產生不規則的缺漏與模糊，試圖捕捉感知上的游移及斷裂，並將3D模型置入重新建構的虛擬空間座標中，藉由虛擬攝影機在其中運鏡，試圖探問在網路與科技高速發展之下，我們是否得到了更多，卻也同時逐漸更不完整。

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In the multidimensional era of the internet, relationships, time, space, and identity interweave into fluid and shifting layers. The constraints of time and distance dissolve, while the boundaries between the virtual and the real gradually blur. Personal consciousness extends through the intricate web of information, yet at the same time, it is fragmented and reconstructed, drawing us deeper into digital existence. Sometimes, as I gaze at people in the physical world, their presence becomes increasingly blurred and fractured until only a hollow shell remains.

During the early stages of this project, I visited the homes of close relatives and friends with whom I have long maintained relationships primarily through online interactions. Using 3D scanning technology, I documented their daily living spaces, deliberately introducing irregular voids and blurriness through arbitrary camera movements—an attempt to capture the instability and rupture of perception. These fragmented 3D models were then placed within a reconstructed virtual space, where a virtual camera navigates through them, exploring whether, in the rapid evolution of the internet and technology, we have truly gained more—or if, at the same time, we are gradually becoming increasingly incomplete.